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Franz Review: Ambitious Kafka Biopic Is Short On Insight
Though it earns points for its willingness to break convention, this film about one of the great 20th century writers is missing a vital spark.
It Ends Review: One Of 2026’s Best Horror Movies Is A Slow-Burn Indie Marvel
Delicate and dread-inducing, It Ends is an impressively effective horror movie that trades big scares for deeply effective existential terror.
Nimrods Review: Green Day's Fun Teen Movie Is All About Its Great Young Leads
Though there's something odd about this being set in the present day, Nimrods' cast are more than enough reason to enjoy this breezy road movie.
The Wrong Girls Review: An Unfunny Foray Into A Genre That Has Overstayed Its Welcome
Despite Oscar-nominated actor Kristen Stewart leading this psychedelic comedy, the jokes fall so flat that viewers may not even crack a smile.
Coyote vs. Acme Review: A Fun, Shaky Movie Under Way Too Much Pressure
As great as it is that Coyote vs. Acme survived its cancellation attempt by WB, this movie wasn't built for the weight of expectation that created.
Don't Say Good Luck Review: Sunny Sandler's Gorgeously Gut-Wrenching Dramedy Demands A Watch
Netflix's new teen dramedy starring Adam Sandler's youngest daughter, Sunny, will take audiences by surprise in the best way.
The End Of Oak Street Review: Jurassic Park Finally Has A Worthy Spiritual Successor
The new dinosaur thriller from writer-director David Robert Mitchell is a wildly entertaining, if somewhat flawed sci-fi blockbuster.
The Birthday Party Review: Willem Dafoe Can’t Save This Odd, Inert Drama
As great as Willem Dafoe always is, The Birthday Party’s layers of intrigue might’ve worked better if he wasn’t in it quite as much.
Cookie Queens Review: Girl Scout Cookies Doc Is A Sweet Treat For The Whole Family
The sweet nature, grounded approach, and understated emotional touches to Cookie Queens makes it one of the most adorable films of 2026.
The Last House Review: Who Trapped Greta Lee & Wagner Moura In This Movie?
Despite having plenty going for it, including an intriguing genre premise, Netflix's The Last House is one of the worst films of the year so far.
Teenage Sex And Death At Camp Miasma Review: A Slasher "Reboot" Made With Love
By inventing their own '80s slasher franchise, Jane Schoenbrun both sends up Hollywood's IP obsession and celebrates the love we have for horror.
Super Troopers 3 Review: A Goofy Throwback That Finds Some Solid Laughs Amid Dated Comedy
While it won't win over critics of the previous films in the series, there's enough goofball successes in Super Troopers 3 to be fittingly funny.
One Night Only Review: This High-Concept Rom-Com Is Everything You’d Want It To Be
If Monica Barbaro and Callum Turner aren't movie stars after this hilarious and swoon-worthy romantic comedy, then there's no hope for Hollywood.
Ice Cream Man Review: Eli Roth's Shoddy Shocker Is Just Empty Calories
Despite the potential of its premise, Ice Cream Man is a bland horror experience, aiming for shock without any of the filmmaking required to land it.
The Samurai And The Prisoner Review: Period Mystery Is Intriguing, Thoughtful & Cold
Kiyoshi Kurasawa’s new samurai mystery is handsomely mounted and intellectually compelling, though not as emotionally involving as it could’ve been.
Tony Review: Why Can't All Biopics Be This Good?
A24’s new film about a young Anthony Bourdain is the rare biopic that works on its own terms. It’s one of my best theater experiences of 2026 so far.
Spider-Man: Brand New Day Review: Holland’s Best Yet
Marvel has spent years building Spider-Man into the center of the MCU, but Spider-Man: Brand New Day succeeds by stripping everything back and focusing on Peter Parker himself. It's a smaller, more personal story that still carries major weight for the future of the franchise.
Spider-Man: Brand New Day Review - Tom Holland's Best MCU Solo-Movie Yet
Brand New Day breathes renewed life into Sony and Marvel's Spider-Man franchise to become Tom Holland's best outing yet as the web-slinging hero.
Motor City Review: Alan Ritchson’s Wordless Thriller Has Little To Offer
Though there's some worthwhile action when it finally happens, Motor City is mostly misuses its time, as well as its almost-no-dialogue conceit.
72 Hours Review: Forgettable Kevin Hart Comedy Wastes Its Cast
Though it has some good jokes, especially when letting its stars riff, 72 Hours is poisoned by an uncomfortably bad premise and never recovers.