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How Andrew Scott Took on the Role of a Lifetime in ‘Elsinore’
The Dublin native portrays a closeted actor dying of AIDS while preparing to play Hamlet on stage: “This film is so much about everything in my life.”
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All 30 Ridley Scott Movies, Ranked From Worst to Best
Historical epics, dystopian futures, crime thrillers, a few androids and so many Russell Crowe accents. Travel from the distant past to the 'Alien' future as we rank the legendary director’s films.
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Dave Franco Says Raunchy ‘Idiots’ Scene Is “the Craziest Thing” He’s Done on Camera
The star-producer talks bringing the project back from the dead, and how a key motel scene goes toe to toe with Jeff Daniels' famous ‘Dumb and Dumber' moment.
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Meet Fernando Lindez, the ‘Elite’ Star Turned Hollywood Romantic Lead in ‘The Last Sunrise’
"Making an American debut is the dream," the actor says of making his English acting debut with the romance adapted from Anna Todd's bestseller.
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‘Idiots’ Filmmaker Macon Blair Talks Surviving 13 Years of Setbacks, Recastings and a Title Change
The journey on the Dave Franco, O’Shea Jackson Jr. starrer dates all the way back to 2013, when Blair's career was just getting off the ground.
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A Deep Dive Into ‘Possible Love’: Lee Chang-dong on His Searingly Acted Study of Class and Filmmaking
The Korean mastermind behind ‘Secret Sunshine’ and ‘Burning’ has reunited with some of his greatest stars for a provocative relationship drama that confronts the resentments and possibilities of contemporary life.
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Tim Curry’s Most Memorable Roles
From 'The Rocky Horror Picture Show' to 'Clue' to 'Annie,' a list of great performances by the actor, who died Wednesday at age 80.
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How Tim Curry Walked Into an Audition — and Became Frank-N-Furter
'Rocky Horror' creator Richard O’Brien and 'Clue' writer-director Jonathan Lynn remember the extraordinary actor who turned two box office disappointments into immortal cult classics.
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Anna Todd’s Post-‘After’ Era: Inside Her Next Chapter With ‘The Last Sunrise’ Romance
The author, along with stars Maia Reficcio and Fernando Lindez, on the personal meaning behind the bestseller, honoring Mallorca and exploring romance through the lens of limited time.
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Jacob Chase Talks Personalizing ‘Insidious: Out of the Further’ and That Time He Made Ben Affleck’s Batman Cackle
Though it's the sixth installment of the franchise, the filmmaker wanted it to stand on its own: "I was trying to make the 'Citizen Kane' of 'Insidious' movies, and it felt that way on set."
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Kate O’Flynn Broke Out in ‘Widow’s Bay.’ Just Wait Until Mike Leigh’s Final Film
The Emmy nominee is poignant and achingly funny in 'Tender Loving Care,' which marks the culmination of her 20-year partnership with Mike Leigh. She unveils the project in-depth for the first time.
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There Are Scores of Great New Animated Shows. The Emmys Won’t Nominate Them.
Fresh creations like 'Among Us' and 'Haha, You Clowns' are getting snubbed for old snoozes. But there’s a way out — if the TV Academy will listen.
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How ‘The Magic Faraway Tree’ Embraced Its Dated Source Material to Deliver a Humble Yet Epic Adaptation
Director Ben Gregor and writer Simon Farnaby talk navigating cultural nostalgia while modernizing Enid Blyton’s beloved British children's books, building their “Blytopia,” and the potential for sequels with Andrew Garfield and Claire Foy.
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‘The Last Sunrise’ Star Maia Reficco Is Finally Facing Her Fears
The American-Argentine actress and singer is showing a whole new side of herself with her starring role in Prime Video's coming-of-age romance film and her new music: "I've kind of let go of all of those fears and understood that I need to go full force or don't go at all."
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Georgian Director Ana Urushadze on Making Her Sarajevo Competition Film Before “A Dead-End Situation” Got Worse
‘Supporting Role,’ about a fading actor’s odyssey through Tbilisi, made it out just before industry censorship protests and a boycott of the state funding agency intensified: "I don't want to stop doing what I love."
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Dina Duma’s ‘Skateboarding Is Not for Girls’ Is About Much More Than Just Skateboarding
The Sarajevo Film Festival competition title follows fatherless 11-year-old Adela, whose life is turned upside down when her sister is forced to have an arranged marriage: "Even when you don't see the man, you can feel the patriarchy."
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