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Reviews

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Reviews

‘Renfield’ Review: Nicolas Cage Provides The Only Bite In This Dracula Comedy

A sideways look at what it’s like to work for Dracula isn’t the worst idea. But if you've seen 'What We Do in the Shadows,' you've seen it funnier than it is here.
By Dylan Roth

‘How to Blow Up A Pipeline’ Review: Film As A Revolutionary Act

A gang of disaffected eco-activists undertake a momentous act of monkeywrenching in this agitprop thriller driven by real-world stakes.
By Oliver Jones

‘Paint’ Review: Unhappy Accidents Send A Bob Ross-Like Character Spiraling

Owen Wilson shines as a painter with a television show in the midst of an existential crisis. It's technically a parody, but tonally strange— an odd look at celebrity and the impact of losing one’s fame.
By Emily Zemler

‘The Super Mario Bros. Movie’ Review: A Win For The Franchise Faithful And No One Else

By Dylan Roth

Review: “Shucked” Pops Loudly on Broadway, Despite Some Empty Calories

By David Cote

‘Tiny Beautiful Things’ Review: Kathryn Hahn Makes a Great Mess

By Emily Zemler

‘Air’ Review: Ben Affleck’s Overeager Love Song to Nike Succeeds More Than It Doesn’t

By Oliver Jones

‘John Wick: Chapter 4’ Review: Bloody, Beautiful, Bulletproof

By Dylan Roth

Review: Bad Cinderella’s Glass Slipper? More Like a Moldy Croc

By David Cote

‘A Good Person’ Review: Florence Pugh’s Portrayal of An Addict Is Raw and Empathetic

By Emily Zemler

‘The Lost King’ Review: A Housewife Turned Researcher Revises History

By Emily Zemler

‘Succession’ Season 4: The Rich Are Still Miserable

By Dylan Roth
Two middle-aged women with short blond hair stand outside in jackets and scarves.

‘Moving On’ Review: Jane Fonda and Lily Tomlin Captivate In A Black Comedy With Heart

By Rex Reed

‘Yellowjackets’ S2 Review: Still Satisfying, Delicious, And Occasionally Nausea-Inducing

By Emily Zemler

Review: Off Broadway Sways to Reggae Beat in ‘The Harder They Come’ 

By David Cote

‘Righteous Thieves’ Review: Stealing Art Back From The Nazis, But Sluggishly Directed

By Rex Reed

’65’ Review: A Waste Of Time, And Adam Driver

By Rex Reed

’65’ Review: Adam Driver Battles Dinosaurs In A Movie That Should Have Been A Game

By Dylan Roth

Review: A Decluttered Doll’s House Speaks to Our Alienated Times 

By David Cote

‘Champions’ Review: Low on Laughs, Big On Good Feels

By Emily Zemler

‘Scream VI’ Review: Bloody? Of Course! Special? Not So Much

By Dylan Roth

Review: Adult Fairytale ‘The Trees’ Gets to the Root of Modern Angst 

By David Cote

‘Emily’ Review: The Story of Emily Brontë Makes For Paralyzing Tedium On The Screen

By Rex Reed

‘Daisy Jones & the Six’ Review: Faux Docu-Series About Fake Band Is Real Good

By Emily Zemler
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